Long lost artice - this was written some time ago, but never posted, so I am posting it now.
Call it roots rock, alt country, cowpunk, what have you, we all know that I am talking about the genre of music that has claimed Lucinda Williams as its poster woman ( and with good reason ). As excellent as Ms. Williams is, there are more out there, and most likely you are not going to hear them on the radio.
With that in mind I would like to introduce you to a couple of ladies that, if there were any justice, would be radio staples. They deserve a much larger audience then all of those âNashville-New Countryâ chicks that look good on T.V. but canât make a decent record.
Amy Rigby -
If there we any justice in the world Ms. Rigby would be huge. Her latest recording from KOCH Records - The Sugar Tree - is as funny, sexy, and enjoyable as any CD released this year. From the straight ahead rocking of âBallsâ to the inspired, laugh out loud hilarious âCynically Yoursâ she explores relationships in a unique style that is both introspective and at the same time universal.
Amy served a stint with Last Roundup and folk pop trio The Shams honing her clever writing style featured on her first solo album Diary Of A Mod Housewife. Housewife portends of the brilliance to follow with cuts like âThat tone of Voiceâ and âTime for me to Come Downâ. In between these to CDâs Amy released the underrated âMiddlescenceâ.
If your tastes tend towards singer-songwriters and/or alt country, do yourself a favor and pick up all three of Amy Rigbyâs releases. You wonât be disappointed.
Sue Foley -
More towards the blues side of the roots rock camp - singer, songwriter, and guitarist Sue Foley is, imho, one of the most underrated forces in contemporary roots music today.
âWhere the action isâ on Shanachie Records is unquestionably one of the best CDâs to come out this year. The title track is a celebration of the genre, and her cover of the Stones B-Side âStupid Girlâ is sublime.
The Canadian born Foley did the whole Austin Texas thing in the mid-nineties, and while you can here that influence she does not let it define her. Her vocal delivery, as well as her guitar playing, evoke a emotional response missing in so much of contemporary blues.
In addition to âWhere the Action Isâ I suggest you pick up âLove Cominâ Downâ and âTen Days In November â. While not quite as definitive as her newest release, definitely better then most of what else is out there.